The thing about shallow people from the beau monde is that they shouldn’t be played shallowly when brought to the screen.
Sonam Kapoor in a ‘tailor’- made role (where more moolah seems to have been spent on tailoring her chic outfits than on exploring the locations , sound sights scents and , yes, sense of this embarrassing world of excessive self-preening) gets the Jane Austen character right. Quite a leap for the actress.
When she had played the confused lover-girl in Saawariya Sonam had imposed her own natural-born confusions on the character rendering it shaky and disembodied.
In Aisha Sonam is far more in control of her character’s misguided emotional compulsions. The fact that the young actress knows this label-centric designer world of chic shenanigans so well helps Sonam master and contour her character’s art of self-deception in a way the original author of the character would have approved.
Sonam’s world harks back to Jane Austen’s giddy-headed British gentry class where match-making was not idle chatter. It was religion.
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